/ Performance & Practice

The work, documented.

Every image and recording here comes from a live performance, a teaching session, or an instrument in active use. Nothing staged, nothing reconstructed.

Live & In Studio

Hands. Instruments. Presence.

— Recorded Performances

Let the raga speak first.

Raga Yaman
Raga Bhairavi

Evening concert with Ally Adnan & Akbar Ali

Ustad Shafqat & Haroon Samuel - Edison NJ

A full-length vilambit and drut gat recorded at a winter concert. Forty minutes of unedited performance, no cuts.

Recorded after the formal program, when the audience had thinned and the musicians played for each other. Unannounced, unrehearsed.

Extreme close-up of a sitar player's left hand pressing a string mid-performance, side-lit with warm amber studio strobe, fingerboard detail and string tension visible, dark background, no face shown
Extreme close-up of a sitar player's left hand pressing a string mid-performance, side-lit with warm amber studio strobe, fingerboard detail and string tension visible, dark background, no face shown
Detail photograph of a sarangi player's bow arm mid-stroke during performance, warm amber stage sidelight, bow hair against strings in sharp focus, musician's torso in soft background blur, intimate concert setting
Detail photograph of a sarangi player's bow arm mid-stroke during performance, warm amber stage sidelight, bow hair against strings in sharp focus, musician's torso in soft background blur, intimate concert setting
Featured Artists

Artists doing the work their gurus taught.

Ustad Farhan Ali

Haroon Samuel

Vidushi Nasreen Qureshi

Sitar — Imdadkhani gharana. Thirty years of study under Ustad Imrat Khan's lineage. Based in Toronto.

Tabla — Punjab gharana. Student of Ustad Umer Hayat Active performer and teaching faculty.

Sarangi — Delhi tradition. One of few active female sarangi practitioners in North America. Performs and teaches.

All artists presented have trained within a recognized gharana under direct guru-shishya transmission. No exceptions.